Ground the Agents
Story SOPs, brand rules, and your audience insight indexed, so every agent works from how we actually make series.
Grapes Worldwide produces vertical microdrama series through five in-house agents, from series scripting to voiceovers, on our own model stack, with named writers, directors, and editors approving every episode before release.
Get a Free Microdrama ConsultationFrom Mankind Pharma and Panasonic to Paytm, JCB, and Siyaram's, category leaders work with Grapes because our stories are built by in-house agents on a private stack, and directed by people who know what makes an audience watch the next episode.
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Microdramas are serialised, vertical stories told in episodes of one to two minutes, built for the way audiences now watch: on a phone, in a queue, one more episode at a time. Our studio makes them with five in-house agents, each built for one job and grounded in our own story SOPs, production playbooks, and QA checklists. The agents hand off the way our writers, storyboard artists, editors, and sound teams already work, and every episode ends at a named human desk.
The agent that writes the series: bibles, season arcs, and 60 to 120 second episodes built around a hook in the first three seconds and a cliffhanger at every break.
The agent that turns scripts into shots: vertical frames, shot lists, character sheets, and animatics, with continuity held across every episode of the season.
The agent that builds the episodes: AI-generated and live-action shots assembled, edited for vertical pace, captioned, and packaged for every platform you release on.
The agent that adapts on-screen talent with consent: licensed likeness replacement for regional versions, reshoots, and continuity fixes, labelled and logged.
The agent that gives every episode its voice in every language: casting, licensed voice models, dubbing, lip-sync, and final mix, directed by people who know the market.
Five stages, one goal: a series audiences come back for, episode after episode. The same studio rhythm runs across our five offices, from single-market pilots to multi-language seasons.
Story SOPs, brand rules, and your audience insight indexed, so every agent works from how we actually make series.
Bible, arcs, and episode scripts built around hooks, cliffhangers, and your brand's role in the story.
Agents hand off script to boards to video to voice, the way our teams already relay work.
Named writers, directors, and editors approve every script, cut, and language version.
Completion, drop-off, and repeat viewing tracked, so the next season is built on what audiences watched.
The Studio does not route client stories through a public LLM. Open models hosted in our own stack keep scripts, talent likenesses, and brand material inside our perimeter, and retrieval is grounded in our story SOPs, production playbooks, and QA checklists rather than in generic prompts. Each in-house agent does one job well and passes its output to the next, the same way a writer hands a storyboard artist, an artist hands an editor, and a director reviews before anything is released. Likeness and voice work runs only on signed consent. And every workflow, on every agent, ends at a named human desk.
Agents feed every studio agent from governed story SOPs, brand rules, and the series bible, sources attached.
Human checkpoint
Agents route work between the five microdrama agents, tracking episodes, versions, and handoffs.
Human checkpoint
Agents check every episode for character, wardrobe, location, and story continuity before review.
Human checkpoint
Agents verify signed likeness, voice, music, and footage rights before any asset is used.
Human checkpoint
Agents watch completion, drop-off, and next-episode rates across every release.
Human checkpoint
Agents classify brand risks, sensitive content, and confidence gaps before anything reaches you.
Human checkpoint
What changes for you
AI multiplies our output. It never replaces our judgment.
The questions CXOs ask us before signing, answered straight.
A microdrama is a serialised vertical story told in short episodes, usually one to two minutes each, designed to be watched on a phone. Each episode opens with a hook and ends on a cliffhanger, so viewers keep watching. Brands use them to build attention and loyalty in a format audiences actively choose to watch.
The agentic layer behind our microdrama production: five in-house agents, from Series Scripting to Voiceovers, running on our own model stack, grounded in our story and production knowledge, and chained into workflows that end at named writers, directors, and editors. You get a full season at a pace and scale traditional production cannot match.
Both, chosen per shot. Some scenes are generated, some are shot with real talent, and many are hybrids. The agents handle the heavy lifting of drafting, assembly, and versioning, while our directors and editors decide what each scene needs and approve every cut.
Only with signed consent. Likeness and voice work runs on licensed talent who have agreed in writing to the specific use, markets, and duration. Every asset is logged, disclosure labels are applied where platforms or law require them, and a named rights owner clears each use.
Through designed handoffs: the Series Scripting agent's episodes become the Storyboarding agent's frames, boards drive the Video Making agent's shots, approved talent changes run through Face Swap, and Voiceovers delivers every language version. Every handoff is validated, and every episode ends with a director's approval.
Inside our stack. Model serving, asset storage, and workflow state run in our own environment with no external LLM in the request path, access is scoped per client, and your scripts, footage, and talent likenesses never train a public model.
Because our storytelling comes from the studio behind 145% organic YouTube view growth, 189% install growth, and 5 times online sales for Siyaram's. Five agents, one private stack, and a named director behind every episode we release.